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What i Think of Djing


​ today…

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I’ve never sought to be true to anything more than art and it’s creation. The desire to monetize, for me has always come from being passionate about my crafts and the desire to seek the opportunity to share them with those who value the creation and organization of what is created. We are at an interesting place where fame and the pursuit of being famous has seemingly over shadowed the culture of ideation and creation. Djing particularly has now become akin to being a server in a restaurant. I don’t blame technology for creating more convenient ways to bring music to people. I blame technology for creating the space that says everyone should partake in creating a narrative for normalizing the need for attention doing … nothing. With the creation of music that has spanned beyond the time of any living human being, the way of social media has dwindled the value of the medium and those who seek to create and perform from a genuine space of passion to nothing more than serving an under average meal. To me this suggest venue owners can now make djs staff members and pay an hourly rate close to servers, bartenders and line cooks (maybe). Of course providing minimal sound and dj equipment for those who seek to play top 40s, to those who simply want to hear music. This would be basic audio that is standardized by pop culture. The thought of this is painful, writing it is a whole level of low. As a lover of musicians, singers, songwriters and the recording process of making this art, my association with djing has been to amplify sounds that showcase what I’ve considered as necessary as air. Djing was not my first love, though music has always been associated with the process of living. The process of djing for me has been akin to mixing colors, mediums, and materials to present to people. This could be considered service, but of original ideas over duplicating.
​ TBA

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5/15/2017

Repost from 2010... Djing and Mixing doesn't change ...

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Please take this for inspiration though it may come off harsh.I am not the perfect dj, and yes art is subjective! Just this afternoon, I decided instead of roaming through the radio stations (educating myself on random tunes), while driving to Evanston (which is beautiful this time of year) I would listen to mixes that other “dj’s” had given me recently. Though I will not name names (I could LOL), I was utterly disappointed to find that these individuals either are not mixing at ALL or doing it poorly. Having come from being awed on the dance floor and wanting to convey the feelings that one LIL LOUIS happened to evoke in me (as a kid), I became obsessed with listening to and figuring out how dj’s transitioned from one song to another. I was slow about calling myself a dj because I knew that Chicago was (and still is) a breeding ground for dj’s AND of course harsh critics. When one comes from vinyl; straight arm pitched dial tables, to standard technic 1200′s, to cdjs, up to mixing software (serato), you learn the ropes. The entire trip is MOSTLY based on tuning ones ear, translating through the equipment to the crowd.Of course there has been many debates about technologies influence and the trend of djing, with everyone from random celebrities, to little kids playing dj hero, assuming that they can rock a party. My issue is TITLE. In my opinion if you aren’t even attempting to MIX 2 mp3s, vinyl or cds TOGETHER seamlessly (or close), you are not “MIXING” and I’d almost go as far as to say NOT DJING. Scratching, transitioning, even dropping tracks, ON BEAT is a part of the art. I even respect cats hollering (though I hate the air horn) over tracks when transitioning from song to song. Titling yourself as a “dj” and getting gigs to play out and simply playing one song after the other without honing and using the skill as stated above is NOT DJING (in my opinion). Call it selecting, call it hosting or toasting. When i think mix cd’s i think MIXING. A cd with spaces (dead air) between each song is not a mix it’s a compilation. I don’t care if you have the hottest music taste, find the rarest grooves, unearth every bob marley and michael jackson tune never heard.People need to know that mixing and djing is an art and learn the true fundamentals. You only add to why ipods can easily be used to replace dj’s doing otherwise.Listen to your tunes and find out what sounds similar and work on mixing and transitioning. No one is perfect at it and yes some rely heavily on editing or djing software instead training their ears.I am applying this way of thinking to my next endeavor (production) as well stay tuned!Even the best of the best can learn new and different things, I love this cat and his videos! Peep and be inspired!If you want it to be real work at it. There are far too many ways to learn.
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7/8/2019 02:45:16 am

Ever since, I know that being a DJ and mixing different sounds can never be easy. I never tried that, but I know for a fact that the job itself is pretty challenging. If you guys will be given the chance to become a DJ for a party, I am sure that you will get the pressure! But of course, it has to be fun too because you are dealing with music and sound. Most of the time, it's a combination of passion and training. Thus, everyone can be a DJ only if you are going to love what you do.

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    fathom spits

    when i come to the jam 
    know who i am
    aint bout the flim flam
    no i dont give a damn
    about where you been 
    or what you rocking
    when the tunes hit
    we'll see whats popping
    not stopping
    though i did slow up
    to be more precise 
    and detailed 
    catch a close up
    or maybe get a glimpse
    nobodies hoe
     but the game got pimps
    i stay exempt
    and stand in the light
    fame got glimmer
    but my glow just right

    ​

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  • HOSPITALITY DRIVEN MUSIC
  • ABOUT
  • SERVICES
  • SAMPLES
  • PRESS, CLIENTS & REVIEWS
  • DJ BOOKINGS
  • CONTACT
  • MULTI MEDIA ARTS
    • INFLUENCES
    • ORIGINAL MUSIC
    • Fathoms Gallery
  • FATHOM'S STORE
    • FATHOM'S ART GALLERY
    • APPAREL
    • ORIGINAL MUSIC
  • BLOG
  • CONSULTING